Chepman 312B microphone preamplifier is open at high and low frequencies and very punchy at medium. It leaves the sound open, preserves transients and has an additional impact. The middle is forward! What you need for a rock guitar and bass. Effective on the reels. Works great with acoustic guitars, piano, percussion. By raising the gain level and weakening the output signal with the Output knob, you can achieve a very aggressive sound characteristic of modern rock and punk. At the same time, due to the more sparse structure of the sound (compared to 1073), it delicately conveys the semitones and nuances of the sound material. It can be assertive-impudent as a screamer and delicately soft and delicate as a summer shade in a city garden.
A versatile workhorse for home, studio and live performances. The small size and built-in power supply will make the life of a touring artist easier.
Your sound is always with you. Works great in the mix in conjunction with 1073. They combine well and add up, do not conflict, complement each other like different colors in the artist's palette. Chapman 312B microphone preamplifier (Desktop) has a clean, neutral sound. If you don't need a color and you like to "catch up" with your character, then this is an ideal desktop version of a pure-sounding universal preamp. Chapman 312B allows you to quickly put, for example, vocals on a phonogram, and completely imperceptible and light compression works wonders.
In conjunction with a good microphone, this preamp gives almost a RAW signal. Clean assembled character, big bottom, true signal dynamics (as is) and clear transparency. Chapman Audio offers system solutions for recording studios. Using a 312B microphone preamp or a microphone preamp with a Chepman1073 equalizer in combination with other analog path devices (Chepman 2254B compressor) allows you to get a full-fledged assembled sound and, of course, convenience in working with the mix.